
On Demand
Un court manifeste de résistance collective à l’oppression policière dans le sillage de la descente historique de 1977 dans le bar gay montréalais Truxx.
On Demand
On Demand
On Demand
On Demand
Naviguer par
ASWANG is a poetically composed inquisition into Philippine President Rodrigo Duterte's reign of terror that unleashed death squads in a so-called "war on drugs".
Carolina Moscoso’s VISIÓN NOCTURNA (NIGHT SHOT) is an artistic, experimental film reckoning with the trauma of her rape.
Tomorrow’s Power showcases three communities around the world and their responses to economic and environmental emergencies.
Creatively acrobatic and politically profound this gem underscores the blatant lies and greed that multinational gold companies extol in the small town of Kalsaka
A profound look at racism, colonialism and safety in the prairies.
Metaphoric consideration of running a marathon you can’t afford to lose.
The products we apply to our bodies every day had never come under the kind of critical, shocking scrutiny as in this deep investigation into the makeup industry.
"Umbrella Diaries: The First Umbrella" charts the origins of Hong Kong's Umbrella Movement through the eyes of the activists and people who made it happen.
On Demand
Haiti Betrayed reveals how Canada conspired with the United States and France in 2004 to topple the democratically-elected government.
MORTICIAN deftly captures some of the devastation caused by Duterte's so-called war on drugs in the Philippines.
La charmante grand-mère et militante écologiste Mariette Liefferink mène une mission sans relâche pour découvrir la vérité et obliger l'industrie de l'or en Afrique à nettoyer ses dangereux dégâts.
Attending to the challenges of women’s life during and after incarceration, this poignant & hopeful doc imagines alternatives to the carceral system through arts.
A humorous and incisive take on the exploitative industry of unpaid internships, against “experience” being earned at the expense of a living wage.
An exile, unable to return to Palestine, becomes a digital spectre floating over the infrastructure of Israeli military occupation in Palestine.
An 80-year-old activist runs for office, challenging the powers of Ward 7.
Director Rogério Soares whisks audiences to a bend in the Xingu River to witness a state of affairs that one subject in the film aptly describes as “post-nature.”