Palestine is Still the Issue

Jalena Keane-Lee is a filmmaker who explores intergenerational trauma and healing through an intersectional lens. She was named a 2023 Adobe x Sundance Woman to Watch, and is the recipient of the Gotham Documentary Fellowship, Creative Culture woman filmmaker fellowship, Wyncote Fellowship and NeXt Doc Fellowship. Jalena is the winner of Tribeca Through Her Lens 2020 and DocPitch 2022. Her short films have streamed on POV and Criterion Collection, played at over 50 film festivals, and won best short at LA Asian Film Festival in 2020 and the Jury Award at Sundance in 2023. Jalena co-founded Breaktide Productions, an all-women-of-color production company that has won two Cannes Lion awards for branded content. Jalena is currently working on her first feature-length documentary which participated in the 2022 Sundance Edit and Story Lab.

One Forest was formed with the mission to help people reconnect to themselves and to nature. Comprised of filmmakers Chelsea Greene and Rob Grobman, One Forest is dedicated to creating impactful and heartfelt films and media. They view the art of storytelling as a sacred work, which endows their stories with a deep reverence for the earth and the characters they feature. They have recently produced two award winning short documentaries, BORNEO’S VANISHING TRIBES and GORILLA GIRL. Their commitment to authentic, integral and informative stories paired with their youth, ambition and drive as individuals, make this unique duo and their work exceptional, relevant and inspiring. One Forest lives and works in the mountains of Southern Oregon.

Anam Abbas is a Pakistan based Pakistani-Canadian filmmaker. She runs Other Memory Media. As a producer and director of photography, her first feature SHOWGIRLS OF PAKISTAN, premiered in the 2020 IDFA Competition for First Appearance and was released globally on VICE in 2021. THIS STAINED DAWN (DAGH DAGH UJALA) is her award winning debut feature documentary as a director. It premiered in the International Competition section at the 2021 Sheffield International Documentary Festival.

Her first fiction feature IN FLAMES, directed by Zarrar Kahn, premiered in the Directors’ Fortnight section at the 2023 Cannes Film Festival. Anam is an alumna of 2017 Locarno Film Festival’s Open Doors Hub, 2018 Berlinale Talents, 2019 Film Independent Global Media Makers, 2020 Berlinale Talents Project Market Fellow, and 2020 Cannes Producer’s Network. Anam is also one of the founding members of the Documentary Association of Pakistan (DAP).

Jennifer Abbott is a Canadian filmmaker who has been experimenting with media as a form of intellectual and creative expression and activism for almost 25 years. Abbott is largely self-taught struggling over the course of 5 years to make her first feature documentary, A Cow at My Table. At the time and before she learned the pitfalls of hyperbole, she would often be heard saying that her film meant so much to her that when it was done, she’d feel her life had been worthwhile and could die. Happily she didn’t and went on to make several others. She is best known as the co-director with Mark Achbar and editor of The Corporation, an international hit in festivals, TV and theatres. It garnered 26 awards including the Sundance Audience Award and a Genie and has a 90% rating for both critics and audiences on Rotten Tomatoes. It is also credited as one of the top ten films to inspire the Occupy Movement.

Currently Abbott is in development with the National Film Board of Canada on a feature documentary The Air That Breaths Us about the psychology of climate change. She is also co-writing and editing Sea Blind, a film about the melting Arctic Ocean and the opening of the Northern Shipping Route slated to screen at the Paris Climate Talks, COP 21. Abbott is also finishing co-directing, co-writing and editing the feature documentary Us & Them about homelessness and addiction, slated for release in 2016. In 2013, Abbott made the experimental short Brave New Minds for Amsterdam’s Submarine Channel that premiered at DOK Leipzig and was nominated for Prix Europa. ln 2012, she began developing a documentary with the NFB but emerged having written the first draft of a feature screenplay titled Money and Other Love Stories. 2011 saw the release of I Am, which Abbott edited and executive produced. Her previous work includes the experimental short Skinned exhibited at New York’s Museum of Modern Art and editing several other indie-docs. She lives on a permaculture farm with her large blended family on a small Pacific Island on Canada’s west coast.

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A self-taught filmmaker with 12 years of experience, Jean-Marc focuses his energies in documentary productions. His first passion is cinematography to which he offers his services as a director/cinematographer.

He has completed two independent feature documentaries. In “Shugendô Now” he explores our relationship to nature through a Japanese tradition. In “Diversidad” he follows a group of young adults who embark on a journey to discover their relationship to the food they eat.

His niche is the creation of positive and heartfelt films that seek to share solutions to the fundamentals problems of our society. This comes from his conviction to play a part in the creation of a more ecological and just society.

Jean-Marc has travelled around the world with his camera and through his explorations in film discovered a second passion in Permaculture, a science of sustainable design through the study of nature. He is gaining more experience as an educator and facilitator, giving workshops in video making and the Permaculture design process. He practices the Chinese art of Qi Gong and has produced instructional Qi Gong DVDs for two of his teachers.
Past clients include BBC Worldwide, National Geographic, Discovery World HD, Madonna, Moment Factory, Cirque du Soleil, Cirque Éloize, Tourism Québec, TVA, Canal Évasion and more.